Attack the Block (2011)
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- IMDb page: Attack the Block (2011)
- Rate: 6.8/10 total 17,591 votes
- Genre: Action | Comedy | Sci-Fi
- Release Date: 13 May 2011 (Ireland)
- Runtime: 88 min
- Budget: $13,000,000(estimated)
- Gross: $1,024,175(USA)(25 September 2011)
- Director: Joe Cornish
- Stars: John Boyega, Jodie Whittaker and Alex Esmail
- Original Music By: Steven Price
- Sound Mix: Dolby Digital | DTS (as Datasat Digital Sound) | SDDS
- Plot Keyword: Alien | Alien Invasion | Severed Head | Bonfire Night | Stolen Police Car
- Joe Cornish (written by)
Known Trivia
- Writer/director Joe Cornish was inspired to make this film after actually being mugged in real-life (much in the same way as portrayed in the film). He noticed his young assailants were as scared as he was, and started researching their lives.
- Writer/director Joe Cornish grew up and lives in South London, where this film is set.
- Members of the gang compare the film’s aliens to various fantastical creatures, all British in origin, namely: Dobby the house-elf from J.K. Rowling’s series of Harry Potter novels; Gollum from the works of J.R.R. Tolkien; and Gremlins, who while they are now best-known for the two American films by Joe Dante, were born out of the imagination of RAF fighter pilots during World War II, and were initially popularized by author Roald Dahl in his first novel.
- In the scene where the meteorite breaks open, a female alien cocoon is revealed. Director, Joe Cornish has expressed his wishes of keeping this prop as a back garden decoration.
- The areas and surrounding roads are named after well-known science fiction authors: Wyndham Tower (John Wyndham); Moore Court (Alan Moore); Huxley Court (Aldous Huxley); Wells Court (H.G. Wells); Clarke Court (Arthur C. Clarke); Ballard Street (J.G. Ballard); Adams Street (Douglas Adams); Clayton Street and Clayton Estate (Jo Clayton); and Herbert Way (Frank Herbert).
Plot: A teen gang in South London defend their block from an alien invasion. »
Story: A teen gang in South London defend their block from an alien invasion.
Synopsis
Synopsis: In Lambeth, nurse Sam is mugged by a gang of teenagers: Pest, Dennis, Jerome, Biggz and leader Moses. However, something crashes from the sky into a nearby parked car. Sam uses the confusion to run away. Moses tells the gang to "allow it"; instead he wants to see if there is anything to steal from the car. When he approaches it he is attacked and wounded on his face by a creature, which he kills with the help of the others. Realising that it is something rare, they hope to gain a profit from it and go to drug dealer Ron (Nick Frost) for advice.
Ron and Brewis, a young zoologist who had come to buy marijuana, agree that it is a strange creature. Moses asks the owner of the flat, and Ron’s boss, gangster Hi-Hatz, if they can keep it in the "weed room", as it is the safest place in the block. He agrees, if Moses, who sells weed for him, starts selling cocaine too, which Moses accepts.
More creatures come down from space, and the boys each go to their home to collect machetes, softball bats, swords, switchblades and fireworks. Their parents are not told anything. Dennis is told by his father to take the dog. Two young kids, calling themselves Probs and Mayhem, also go to the crash site, eager to prove how tough they are.
The new aliens are bigger with huge claws and light-emitting teeth. They kill the dog, and the boys flee, but the police catch Moses while the others hide and watch. Sam, in the police van, confirms that Moses was the mugger, but two aliens kill the policemen, and attack the van. The others chase the aliens away with a large firework, and Dennis approaches and lets Moses out of the holding cell in the back; Sam enters it to protect herself from both the aliens and the gang. The three are attacked again but manage to drive off in the van. However, they crash into Hi-Hatz’ car. Hatz is enraged. As Sam runs off, the other gang members catch up to Moses and Dennis, just as Hi-Hatz pulls a gun out. Hatz does not believe their story about aliens, until they spot one. Hatz forces his henchman to check it out, but the henchman is then killed by the alien, which Hatz kills with his pistol, as the gang run off.
Again chased by aliens, they attempt to get back to the block, but Biggz gets behind and hides in a garbage container, and an alien bites into Pest’s leg. They see Sam going into her flat, and force their way in. She tells them to leave, but they assure her that they are on the same side now, united against the aliens. Sam treats Pest’s leg. An alien bursts through her front door, but Moses kills it. Sam is impressed, and decides it is safer to stay with the gang. The gang agrees after Pest convinces the others that she, being a nurse, can still be needed.
Hearing more aliens coming, they all move to the apartment of some neighborhood girls. They are met with skepticism, but two aliens attack through a window, killing Dennis. One alien is killed by the girls with a lamp and a skating boots blade, but the second alien is about to kill Moses when Sam comes to his rescue, killing it with a kitchen knife.
The girls, recognizing that the creatures only want the boys, kick them out and flee to the street. The gang and Sam decide to go to Ron’s safe room and hide out there, but are shot at by Hi-Hatz and his two goons. However, they escape. Hi-Hatz and his two goons, being attacked by an alien, try to hide in an elevator, but the goons are killed. Hi-Hatz manages to kill the alien and continues to search for Moses.
The gang, joined by Brewis, make their way to Ron’s apartment but Jerome is killed by the aliens along the way. They reach Ron’s apartment only to find Hi-Hatz inside waiting for them. However, aliens who have climbed the outside of the building attack through the window and kill Hi-Hatz. Moses, Pest, Brewis and Sam reach the safety of the weed room.
Biggz, still trapped in the bin by one persistent alien, phones for help, but nobody can help because the police, investigating the death of the two officers, have cordoned off the block. However, Probs and Mayhem use their super soaker filled with petrol to set fire to the alien.
Up in the weed room Brewis sees liquid on Moses’ jacket under the UV light and concludes that the first, small alien was a female, who left a pheromone on Moses, and that the bigger males are attracted to the smell. They also realize that the aliens are blind. After they check that Sam does not have any of the pheromone on her, she goes to Moses’ empty apartment, where she opens the gas valves, then leaves the tower block safely. Moses and Sam have come to respect each other, and Moses tells Pest to return Sam’s robbed ring to her, which Pest reluctantly does. Moses then straps the dead female alien to his back and runs out of the weed room to his apartment, with all the aliens in tow, throws the female into his kitchen, where all the males follow, ignites the gas, and jumps out of his flat, just escaping the explosion which kills all the aliens. Sam, the girls, Biggz, Probs, Mayhem and other people watch as Moses manages to grab onto a flag and survives.
Pest, Brewis, Ron and Moses are arrested, but Sam tells the police that they actually saved her life. In the back of the police van, Moses and Pest hear the crowds chanting for Moses, and Moses smiles, knowing that this time he has done something heroic.
FullCast & Crew
Produced By:
- James Biddle known as line producer
- Jenny Borgars known as executive producer
- Will Clarke known as executive producer
- Matthew Justice known as executive producer
- Lucy Pardee known as associate producer
- Nira Park known as producer
- Tessa Ross known as executive producer
- James Wilson known as producer
- Edgar Wright known as executive producer
- Nick Frost known as Ron
- Jodie Whittaker known as Sam
- John Boyega known as Moses
- Luke Treadaway known as Brewis
- Alex Esmail known as Pest
- Terry Notary known as The Creature
- Paige Meade known as Dimples
- Joey Ansah known as Policeman 1
- Leeon Jones known as Jerome
- Lee Nicholas Harris known as Police Officer – swat
- Franz Drameh known as Dennis
- Flaminia Cinque known as Italian Woman
- Jumayn Hunter known as Hi-Hatz
- Adam Leese known as Policeman 2
- Chris Wilson known as Arresting Police Officer
- Danielle Vitalis known as Tia
- Simon Howard known as Biggz
- Sammy Williams known as Probs
- Jacey Sallés known as Biggz's Mum
- Karl Collins known as Dennis' Dad
- Maggie McCarthy known as Margaret
- Michael Ajao known as Mayhem
- Stephanie Street known as Policewoman
- Arti Shah known as Creature Performer
- Selom Awadzi known as Tonks
- Yvonne D'Alpra known as Pest's Nan
- Jermaine Smith known as Beats
- Dylan Charles known as Constable
- Saffron Lashley known as Roxanne
- Natasha Jonas known as Gloria
- Lee Long known as Patrick
- Philip Harvey known as CO19 Officer
- Gina Antwi known as Dionne
- Karl Baumann known as Creature Performer
- Haneen Hammou known as Bubbles
- Adam Buxton known as Documentary Voice Over (voice) (uncredited)
- Chris Mansfield known as Paramedic (uncredited)
Supporting Department
Makeup Department:- Aida Caefer known as creature crew
- Stuart Conran known as special makeup effects artist
- Mary Elizalde known as CFO: Spectral Motion Inc.
- Mike Elizalde known as creature effects designer
- Liberty Haynes known as key makeup artist
- Paul Hyett known as special makeup effects
- Nicola Matthews known as makeup artist
- Jane Walker known as makeup designer
- Daniel Ainslie known as dressing prop
- Andy Bottomley known as graphic designer
- Bruce Collier known as props
- James Collins known as assistant art director
- Paul de Csernatony known as property master
- Peter Dibden known as stand-by props
- Brian Dowling known as construction coordinator
- Martin Griffiths known as set dresser
- Neil Griffiths known as dressing props
- Neil Griffiths known as set dresser
- Sam Harley known as props
- Thomas Jones known as mold maker
- Martin Kane known as dressing prop daily
- Anna Kasabova known as production buyer
- Robert Leek known as set dresser: dailies
- Les Mills known as rigger
- Will Newton known as assistant art director
- Nick Pelham known as storyboard artist
- Kimberley Pope known as concept artist
- Clare Porritt known as art department trainee
- Paul Robinson known as standby props
- Mark Runchman known as set dresser
- Mary Pat Sheahan known as painter
- Matilda Wainwright known as standby art director
- Stuart Walpole known as stand-by props
- Stuart Walpole known as stand-by props: re-shoot
Companies
Production Companies:
- Studio Canal (as Studio Canal Features) (presents)
- Film4 (presents)
- UK Film Council (presents)
- Big Talk Productions (as Big Talk Pictures)
Other Companies:
- ARRI Media camera equipment provided by
- Abbey Road Studios music recorded at
- Cammotion grip equipment
- Decca Records soundtrack
- Dolby Laboratories sound mix
- Fuji Photo Film motion picture film supplied by
- Goldcrest Post Production London sound post-production
- London Session Orchestra, The orchestra (uncredited)
- Palmbrokers greenery (uncredited)
- Pivotal Post Avid HD Editing Equipment Provided By
- Sapex Scripts post-production script services
- Technicolor post-production
Distributors:
- Optimum Releasing (2011) (UK) (theatrical)
- Entertainment One Benelux (2011) (Netherlands) (theatrical)
- Kinowelt Filmverleih (2011) (Germany) (theatrical)
- Océan Films (2011) (France) (theatrical)
- Screen Gems (2011) (USA) (theatrical)
- Shaw Organisation (2011) (Singapore) (theatrical)
- Sony Pictures Releasing Canada (2011) (Canada) (theatrical)
- Starway Film Distribution (2011) (Belgium) (theatrical)
- Cipta Mutu (2011) (Indonesia) (all media)
- Entertainment One Benelux (2011) (Netherlands) (DVD)
- Entertainment One Benelux (2011) (Netherlands) (DVD) (Blu-ray)
- Front Row Filmed Entertainment (2011) (United Arab Emirates) (all media) (Middle East)
- IPA Asia Pacific (2011) (Thailand) (all media)
- Sony Pictures Home Entertainment (2011) (USA) (DVD)
- Sony Pictures Home Entertainment (2011) (USA) (DVD) (Blu-ray)
- Stage 6 Films (2011) (USA) (all media)
Other Stuff
Special Effects:
- Double Negative
- Fido Film AB
- Method Studios
- Plowman Craven & Associates
- Spectral Motion (creature effects)
- Pontus Albrecht known as digital compositor
- Mattias Alvarsson known as digital compositor
- Adam Barnett known as technical support
- Judy Barr known as digital compositor
- Martin Bergquist known as concept artist
- Luke Bigley known as rotoscope artist: Double Negative
- Kristoffer Björnör known as visual effects artist: Fido
- Brad Blackbourn known as previs supervisor
- Martin Borell known as digital compositor
- Adam Broderick known as visual effects
- André Carlsson known as digital compositor
- Bimla Chall known as compositor
- Julian Chong known as paint & roto artist: Double Negative
- Andreas Cronström known as digital compositor: Fido Film
- Samual Dawes known as roto/prep artist: double negative
- Joel Delle-Vergin known as digital compositor: Double Negative
- Joakim Eriksson known as visual effects
- Marco Fiorani Parenzi known as digital compositor
- Jay Fleming known as matchmove artist: Double Negative
- Marcus Forsberg known as digital artist: Fido Film
- Mattias Forsström known as visual effects artist
- William Foulser known as on-set matchmover
- Walter Gilbert known as digital compositor: Double Negative
- Julian Gnass known as compositing supervisor
- Adam Hammond known as digital compositor
- Adam Hammond known as visual effects: Double Negative
- Jeremy Hey known as digital compositor
- Will Hudson known as digital restoration
- Emma Hulme known as digital restoration
- Fredrik Höglin known as lead compositor
- Daniel Jeantou known as tech support
- Adam Jhani-Stephens known as studio assistant
- Andreas Bravin Karlsson known as digital compositor
- Tom Kemplen known as visual effects editor
- Andreé Knutsson known as digital compositor
- Nils Lagergren known as visual effects producer: Fido
- Mattias Lindahl known as visual effects supervisor: Fido
- Staffan Linder known as senior animator
- Zachary Lo known as compositor
- Timmy Lundin known as fx technical director
- Raj Mahendran known as technical support
- Terry Marriott known as matchmover
- Nick Marshall known as roto/paint artist: Double Negative
- Katie McCulloch known as digital restoration
- Ellen E. Miki known as digital compositor
- Charlie Noble known as visual effects
- Joanna Nodwell known as visual effects shoot producer
- Daniel Norlund known as digital compositor
- Anders Nyman known as visual effects
- Tomas Näslund known as digital compositor
- Jonathan Opgenhaffen known as concept artist
- Filip Orrby known as digital compositor
- Tilman Paulin known as digital compositor: Double Negative
- Enrik Pavdeja known as digital paint artist: Double Negative
- Laurie Pellard known as studio assistant
- Andrea Pirisi known as digital colorist: Double Negative
- Daniel Rauchwerger known as digital compositor
- Victor-Aday Sanchez known as digital compositor
- Chad Schott known as digital compositor
- Asa Shoul known as digital colourist
- Phil Smith known as roto supervisor: Double Negative (as Philip Smith)
- Natalie Stopford known as visual effects: Double Negative
- Richard Sällqvist known as digital compositor
- Raymond Tan known as cleanup artist
- Ben Taylor known as digital compositor
- Steve Tizzard known as digital compositor
- Niki Turpin known as compositor: Double Negative
- Quentin van den Bossche known as production assistant
- Andreas Vrhovsek known as visual effects artist: Double Negative
- Ryan John Woodward known as matchmove supervisor: Double Negative
- Taz Lodder known as technology support manager: Double Negative (uncredited)
- Fanny Roche known as tracking (uncredited)
- USA March 2011 (SXSW)
- Ireland 13 May 2011
- UK 13 May 2011
- Indonesia 15 June 2011
- Malaysia 23 June 2011
- Czech Republic 5 July 2011 (Karlovy Vary Film Festival)
- Canada 15 July 2011 (Fantasia International Film Festival)
- Belgium 20 July 2011
- France 20 July 2011
- Iceland 20 July 2011
- Netherlands 21 July 2011
- Canada 29 July 2011 (Toronto)
- USA 29 July 2011 (limited)
- Switzerland 5 August 2011 (Locarno Film Festival)
- Germany 24 August 2011 (Hamburg Fantasy Filmfest)
- Germany 24 August 2011 (Berlin Fantasy Filmfest)
- Turkey 26 August 2011
- Kuwait 29 August 2011
- Germany 22 September 2011
- Sweden 22 September 2011 (Lund Fantastisk Film Festival)
- Hungary 23 September 2011 (Jameson Cinefest International Film Festival)
- Greece 24 September 2011 (Athens Film Festival)
- Singapore 29 September 2011
- Israel 6 October 2011
- Brazil 14 October 2011 (Rio de Janeiro International Film Festival)
- Finland 28 October 2011 (Night Visions Film Festival)
- Sweden 28 October 2011
- Italy 27 November 2011 (Turin Film Festival)
MPAA: Rated R for creature violence, drug content and pervasive language
Filmography links and data courtesy of The Internet Movie Database















05 May 2012, 3:34 pm
Finally got to see this film after wanting to for ages because I'm a huge Nick Frost fan (although admittedly mainly through Spaced and Shaun of the dead). I would have put money on me loving this film. What wasn't to love for a bloke in his 20's monsters/aliens, groups with weapons working together (The warriors anyone?!) and of course Nick Frost.
Well, I'll tell you the reason why I hated it because the characters we were meant to love were essentially scumbags. Being a secondary school teacher it is depressing how often I see and hear teenagers acting hard, wearing hoods and trackies (even if it's 30degrees!, using ridiculous and often rude language and generally lacking basic morals and respect. And now here is a film that not only expects us to identify and go on a journey with these characters but also glorifies them!
My hesitation began in the opening scene when they pulled a knife whilst mugging a woman and seemed to have nothing but contempt for her. I thought to myself 'Hmmm, that's quite extreme as I thought we were going to like these guys?' Now that would have been OK if the story had quickly unfolded that it was just a big front and they were actually quite nice and don't really like hurting people they just do it as they don't know any better, but this wasn't the case. It clumsily seemed to try to swing it this way with some of the characters (the one with glasses seemed particularly easy to like), but most of them continued to be little scrotes if I'm honest.
The way the police were viewed and portrayed I thought was pretty disgraceful and again painted an image that it was cool to hate the police.
Probably the biggest let down was that I suddenly realised near the end of the film that I hadn't actually laughed once. A couple, and I mean a couple, of moments of light relief from Frost was about all I smiled at. I also thought the development of the characters was poor or almost non existent, especially the token weed smoking posh white boy who for me added nothing.
To the films credit I thought it was shot well, the monsters were good (in a budget/cult like way) and most of the acting was good, although it seemed to try far too hard to make them all use the teenage 'buzz' words constantly. Probably why the one liners failed to work IMO. It was bare annoying.
The sad thing is I can see some of the kids I teach watching this and wanting to be just like them. At least the worst thing I'd have been likely to say at their age would have been "I need your clothes, your boots and your motorcycle"!
05 May 2012, 3:34 pm
a gang of teen thugs begin by mugging, at knife-point, a woman of her phone and purse. Then an alien lands, destroying a car. The gangs' first impulse? what can they steal from the car! I was praying that they all become the aliens' first victims, but no, we go on to discover that these scum, in association with the blocks drug dealing wannabe "gansta" arm up and kill the aliens. This is a terrible film. If it's trying to portray the "yout" as being brave and heroic in someway it fails miserably. All it does is cement in people's minds that teenagers are all thieving, knife wielding scum. There's no revelation by the gang in this film, they don't come to realise that their lifestyle is a problem or any such nonsense, they just act out their ignorant, pack mentality behaviour and reinforce stereotypes that need to be broken down. An awful film and not even the so called comedic touch of Nick Frost do anything to make this film watchable. Avoid it like a dose of the clap.
05 May 2012, 3:34 pm
Where to start. Unoriginal alien invasion plot? Uninspiring tone? Bad dialogue? No, let's start at storytelling 101 – the characters.
The hero characters that you are meant to empathise with are essentially teenage narrow-minded thugs; not the best choice in terms of storytelling as few people would empathise with them, but I thought they might do something interesting with them later in the story to get you as the viewer on their side, but alas they didn't.
The characters are poorly established. Characters seemed to come and go for the first two thirds of the film making it very unclear which characters the film is actually focusing on, never mind establishing a protagonist.
Which brings me on to my next point. Why establish your protagonist and outline their background towards the end of a film? You need to establish an emotional connection between the protagonist and the audience early on, and then reward / emotionally toy with the audience throughout the rest of the film. This is what makes films enjoyable to watch.
The film generally consisted of the kids spouting lines that they deem clever with such consistency you start to wonder whether they are doing it for effect or the director actually thinks the lines are truly funny. Only towards the end stages of the film did I even start to find the dialogue mildly funny. Their London "gangsta" accents will grind on you throughout the film without fail however, so don't think a few funny lines will rescue you from this.
The plot was basic and predictable. Basic I can forgive, as there's no need to over-complicate a storyline as it can diminish it's impact, but the fact that it took the path of least resistance to the end wasn't so forgivable. The only aspect of the plot I liked was that the woman who the kids mugged was forced to team up with them to defeat a common enemy, which provided some interesting tension and humour.
The only thing I truly liked about the film was that the aliens were really black, really really black. So black in fact they almost aren't there. This was believable in terms of the evolution of a species which required camouflage and a cool little feature of the invaders. Aside from that I'm really struggling to find anything good to say about this film, apart from one or two funny lines as I've already mentioned.
In short, it wasn't silly enough to fall into the slapstick horror category, nor was it structured well enough to even be considered an average film. I'm mystified as to how this film has gained a 7.5 IMDb rating at the time of writing this review.
05 May 2012, 3:34 pm
This is Joe Cornish's first time sitting in the director's seat, but it certainly doesn't feel that way. His sense of perspective is fantastic and the lighting in the film is utilized in the alien creatures' benefit. Something as simple as lights dimming in a hallway is suddenly way more intimidating after seeing Attack the Block. The cast works better as a cohesive unit rather than individually, but there are a few that standout above the rest. Moses (John Boyega) is probably the most obvious choice since he's the leader of the gang and the story kind of leans in his favor, but Brewis (Luke Treadaway) is right up there as well. His rather oblivious attitude towards aliens invading their neighborhood due to him being stoned all the time got more laughs than anything else in the film. He didn't even have to say anything half the time. His appearance and body language will have you rolling at times. Pest (Alex Esmail) steps it up a bit after he has a close encounter with one of the alien monsters. His incessant ramblings about the aliens along with his constant flirting with Sam (Jodie Whitaker) is rather humorous. Nick Frost has more of a supporting role than a main one, but is hilarious every time he's on screen. The young cast along with its content gives the film a bit of a Goonies or even Monster Squad kind of vibe and that is something to be proud of.
The creatures themselves may be the highlight though. Their original design along with the way they tend to slink around in the shadows is both incredibly cool and really unnerving at the same time. They're big enough to be described as gorillas, are black, and hair seems to cover their entire body. They have no eyes, have glow in the dark teeth, and also crawl on all fours. There's a chase scene near the end of the film that's shown in slow motion that is really spectacular. Most of me just wanted to see more of these creatures even though they're featured significantly in the second half of the film. Attack the Block is homage to the great horror films from the 80s and is reminiscent of Gremlins while offering the atmosphere of the really fantastic John Carpenter films. Critters also comes to mind, but Night of the Creeps was the first thing I thought of when they started falling from the sky except Attack the Block is an all around better film.
Attack the Block is a unique vision of terror that is laugh-out-loud funny at times, terrifying at others, and massively engaging in between. The film wears its influences on its sleeve, but combines them with a simple but flawlessly executed story and hilariously strong ensemble cast to result in one of the greatest throwbacks to fun 80s horror ever along with becoming one of the most entertaining films of the year.
05 May 2012, 3:34 pm
May Contain Plots spoilers I sat in a 1000 seat cinema with six other people to see this turgid nonsense. At the start of the movie this gal get mugged and threatened by a gang of thugs. They steal her money and humiliate her. She managed to escape but I felt that they also wanted to gang rape her as they told her to come back as they had not finished with her.
If I was going to make a movie about Aliens attacking earth I would make the hero's believable and likable. Then thugs duff up and murder a defenceless alien. As first contact situations go these thugs treat our first alien visitor as just another plaything in their pathetic lives. After they murder the pregnant alien they parade its body through the streets much like a serial killer would collect trophy and then display it for their sick satisfaction.
Then the Alien's pals decide to take revenge. Fair dues to them I was on their side and wanted them to win. Every time another thug died I whooped with joy. The aliens arrive without a spaceship and appear as meteors but can be killed with fireworks. Really this does not follow the logic of the story.
The worst British movie of the last 50 years and yes I am saying that Love honour and obey was a Brit flick. If you live in Sarf London and say words like Blud. If you think being in a gang is cool this is the movie for you. Also if you IQ is in single figures your gonna love this but you will be too thick to read this review. If you do not live in London/are over 25/ have a brain/ you are gonna hate this movie In the end you cannot polish a turd.
05 May 2012, 3:34 pm
Ye get me blud?
05 May 2012, 3:34 pm
I feel it is my public service to point out that this film is terrible and nothing like Shaun Of The Dead as the marketing suggests. The first half of the film involves obnoxious hoodies saying 'yeh blud' and generally being very annoying. Nick Frost pops up and has no funny lines. I didn't expect this movie to be as good as 'Shaun' but I literally didn't laugh once and I couldn't tell if it was even meant to be funny. I think anyone over the age of 16 who isn't from a council estate in London will hate this.
This is the directorial debut from Joe Cornish and I pray he doesn't make any more films.
05 May 2012, 3:34 pm
Attack the Block at its core is two films in one: an alien attack movie with huge ape-like creatures with no eyes and green glowing teeth, while also a redemption tale for a young gang of hoodlums who become the first and only defenders of Earth, or more importantly their housing project, known as The Block. The aliens descend from the sky without warning, but what they find in the rough and tumble part of South London is not part of their master plan.
There are certain teams in the movie industry you just look for people who all work together, maybe grew up together, and somehow they always manage to create some really wonderful films when they're all working as one. Judd Apatow has his gang (his wife chief among those), Adam Sandler has his gang (Rob Schneider seemingly holds top cameo in that gang) and, of course, King of the Cult Worship, Kevin Smith (nevermind box office revenues, this dude has an entire posse of creative types on speed dial). Yet, over the last decade or so, one group has knocked it out of the park on virtually every occasion, crossing nearly every genre and making it look nearly effortless (which I am sure it is not). That honor goes to Edgar Wright and the dynamic duo of Simon Pegg and Nick Frost. Jumping onto the scene stateside with Shaun of the Dead, then following up with Hot Fuzz and Scott Pilgrim vs. The World (which was only Edgar Wright involved there), they piled up an amazing and impressive fan base, much deserved. So my hopes were high for this film with Edgar Wright listed as an Executive Producer and Joe Cornish at the helm (who also had incredibly small roles in Shaun of the Dead and Hot Fuzz) and my expectations were soundly met and beaten.
So many things went right in the making of this movie, but as with every great movie ever made the success of it always begins with an amazingly written script. Coming in at a tight 88 minutes long, the story never felt rushed or over-motivated. The pace is perfect and the sequence of events moves along in balanced time, keeping the believability of the universe intact the entire way. The arrival of the aliens is handled brilliantly basically by not handling it at all. They show up and they're killing people; deal with it. Then the ending, which I will not at all give away here, is so beautifully simple and ingenious that for once I was completely caught off-guard. I found myself turning to my friend and saying, "Holy crap, that actually makes sense! It's an alien flick and that made sense!" So my first kudos here goes to Joe Cornish who not only directed this, but wrote it as well (which IMDb quotes the inspiration coming from his own mugging by a group of young kids).
I could go on now and say all the wonderful directing choices Cornish makes throughout the film, but that would take many hours and I'm writing this late in the evening, so I'll just mention two. Making this movie for an estimated price tag of nine million pounds, this is a low budget flick, but instead of giving into that sensibility and trying to hack bigger and badder special effects, Cornish correctly crafts the story in such a way where he doesn't need elaborate CGI to tell the story. Most of it is set in one building and the creatures have one unique characteristic (the glowing teeth), but are otherwise dudes in suits. Honestly, not once did I ever feel they looked cheap or did they take me out of the moment. Secondly, some particularly well-shot slow motion moments in the latter stages of the film were spot on and made what could have been a rushed and hectic moment into something tension-filled and exciting.
So now you have a great script and a visionary director manning the helm, but you still need a talented cast to bring the whole thing to life and this film shoots the moon. Nick Frost has a charming and welcome side character as the front man for the main drug dealer in The Block, but he really is there to provide a safety net to the humor of the film. The lead ensemble of gang kids and the young woman they mug in the opening scene are exceptional. I honestly was fully prepared to read an article about how these kids were literally ripped right off the streets and put in front of a camera, ala Edward Furlong for Terminator 2: Judgment Day (although he was ripped from a mall arcade, but same difference). John Boyega anchors the cast as Moses, the gang leader, and he delivers such honesty and truth to the part, it's shocking to see this listed as his debut project. While the strength and comedic moments he brings are huge in the film, it's the heart he puts out there, hidden on his sleeve underneath the puffy coat, that's what brings everything together into a meaningful and enjoyable experience for the viewer.
Walking out of the theater, I felt really happy not only that I had seen the movie, but also that I had paid full price for my ticket. These are the ones you want to support. These are the movies we need more of out there and the only way that will happen is by getting butts in the seats in numbers great enough to warrant greenlighting another project from this crew of people. So if it's playing nearby you, I think you know what I'm telling you to do.
05 May 2012, 3:34 pm
The less-than-90 minute running time is perfect for something this small, never letting us stop having fun in order to make time for pointless romantic subplots or unnecessary characters. There is never a dull moment in this, a film that I have no problem saying is the most fun I've had so far this year. Whoever cast these kids deserves some sort of medal because they are all fantastic and for most of them it's their first job. John Boyega in particular, in the lead role as the head of the group, is fantastic.
At first I was skeptical about the Jodie Whittaker character and her constant run-ins with the group but by the end I really embraced her dynamic with Moses and actually found myself getting surprisingly emotional at the end. The whole thing is just vibrant, exciting and so much intense entertainment. There are a solid amount of laughs throughout, but it's not even a film about trying to make you laugh or trying to scare you. It's just about having fun and it succeeds so admirably. It feels real old school and I loved every moment. Everyone should watch this.
05 May 2012, 3:34 pm
Give this film a chance you may be pleasantly surprised